What I'm Reading: 'Those Who Leave and Those Who Stay' by Elena Ferrante

Book Four of the Neapolitan novels drops this week amid as much fanfare as can be expected for an author who shuns the spotlight and rarely grants interviews. The whole marketing campaign has provided an interesting counterpoint to the promotion of Jonathon Franzen's new novel Purity, which has been nothing less than a farcical publishing juggernaut.

I gulped down the first two Neapolitan novels very quickly, but I've dragged number three out all summer, in some ways to delay the pleasure and also to make sure it lasted all the way to September, when I knew another Elena Ferrante novel would auto-download on my Kindle. When I'm finally finished with this series I'm going to feel an immense sense of loss, but I'm already looking forward to the luxury and pleasure of taking the time to re-read them

What I'm Reading: 'Sula' by Toni Morrison

I think this might be my favorite Toni Morrison novel now; what am I even saying? Is that crazy? The Bluest Eye is and has been and always will be really special to me, and is made all the more remarkable for being Morrison's FIRST novel (that is still shocking). But I love, love, love Sula. Female friendship has been a major theme that Morrison has explored in all of her fiction (at least all that I've read), but Sula is very squarely focused on it. Good books about female friendships are slowly coming to dominate my reading appetite (thank you, Elena Ferrante), and this has been so deliciously satisfying.

A brief word of encouragement to my male readers, of which I know there are at least three: just because a book is about female friendships doesn't mean that you won't enjoy it, and I strongly encourage everyone to read some Toni Morrison and Elena Ferrante. 

What I'm Reading: 'The Story of a New Name' by Elena Ferrante

As much as I enjoyed the first Neapolitan novel, My Brilliant Friend, I think I enjoyed The Story of a New Name even more; the novel picks up quite neatly at the ending of the first novel, with a particularly defining narrative moment in the lives of Lila and Lenu, an event which will very much set the tone and the narrative course for the second novel (I hope that isn't spoiler-y). The girls are now 16 and although their lives diverged in childhood when Lenu continued her education and Lila was forced to drop out of school, the divergence becomes that much more pronounced as they come of age along with the rest of their childhood playmates in their impoverished Italian neighborhood.

Ferrante's ability to write about adolescence is really striking, and I'm curious how an actual teenager would react to The Story of a New Name. The narrative is so meticulous and detailed and maybe the reason it feels like such an accomplishment to me is that I, like Ferrante, am an adult woman, looking back on her teenage experiences, and thus, I share her vision, whereas an actual teenager currently entrenched in the experience wouldn't relate to Lila and Lenu's experiences at all. Nevertheless, the coming of age of these characters who the reader has grown to know so intimately in My Brilliant Friend is an incredibly satisfying and rewarding experience that only comes from a really long, rich novel of this scope. Perhaps most significantly, we see the fictional Elena Greco and the real Elena Ferrante merge more and more, and every moment of realization at a shared trait only enhances the reading experience and feels like the discovery of some further treasure in a novel that is already so rich.

I have really fallen deeply in love with these novels; I purchased Book 3 on my Kindle within minutes of finishing The Story of a New Name, and the September 2015 publication date for Book 4 (the final novel) was just announced, so I am very ready to continue living in this world for a while longer.

What I'm Reading: 'My Brilliant Friend' by Elena Ferrante

I almost hate posting the above photo of the English edition cover of the first volume in the Neapolitan novels trilogy, because it motivated me to start reading e-books on my Kindle. It is a truly hideous book and proof of the adage that you cannot judge a book by the cover (but as an aside -- there is nothing wrong with a beautiful book, and whenever possible, isn't is preferable?).

My Brilliant Friend has the dubious honor of having re-energized my reading and getting me out of a bit of a slump, along with preventing my reading War and Peace very quickly. Elena Ferrante's trilogy about a lifelong friendship between two women has been on my radar for quite some time -- James Wood at The New Yorker is a huge advocate and the author has gotten a lot of buzz lately for being famously reclusive. Her identify is somewhat shrouded, causing the Italian press to speculate that 'Elena Ferrante' is the pen-name of a more established (male) Italian author. This is unfair and seems almost certainly untrue.

I've never read a better characterization of female friendship and more and more I'm realizing how much I enjoy books that explore this relationship. Maybe it's because I've been happily married for five years, but generally books that focus on romantic relationship don't do much for me -- they either focus on passionate and tempestuous relationships that are doomed, or on the numbness of prolonged monogamy, neither of which mean anything to me. But at this point in my life, relationships between women seem like the most dynamic and engaging, and as a reader it's what I'm drawn to.

Books on Books: 'How Fiction Works' by James Wood

I have already espoused my love of James Wood but I was recently re-invigorated by (as usual) the New Yorker OutLoud podcast; I had been saving two juicy James Wood episodes on Elena Ferrante and Hilary Mantel that I finally got around to listening to, and they were as good as ever. If you have even an inkling of interest in either of those two writers, I recommend listening, and even if you don't, I recommend James Wood's 'How Fiction Works' which is essential reading for anyone who reads (see what I did there?). Wood is the ultimate literary critic in that he can simultaneously establish his expertise while he very deftly teaches the reader and the non-expert how to see what he sees in an author's work, and he does so with his own distinctly brilliant prose. He has the authority to tell you how fiction works because he writes as well as he reads. I assure you this volume will not feel like homework, but will instead only serve to enhance your appreciation for the books you already enjoy.

This Week in Books is Rather Slow...

As I mentioned recently, Facebook has a book club; not surprisingly, the first "meeting" did not go well, due largely to Facebook's algorithms, which did not display comments or questions in any kind of logical order. By the way, if the idea of online book clubs intrigue you, I highly recommend The Atlantic's version, 1Book140.

The American Scholar put together a list of neglected novels that ought to be considered "classics." I strongly agree with the Elizabeth Gaskell pick; just this week I read an essay in which Gaskell was carelessly tossed aside for being less great than Jane Austen. No one is as great as Jane Austen, and Elizabeth Gaskell was a terrific writer.

The Shortlist for the 2015 Tournament of Books has been announced (actually it was out a few weeks ago, I just wasn't paying attention). I've only read one book on the list, but I've got Elena Ferrante's first Neapolitan novel and Station Eleven on the Kindle. Winners will be determined in March.